王力宏歌词(汇集十九篇)

多谢波琳娜，多谢君，多谢珮姗帮我组织这一切

谢谢在座的各位,谢谢晚来的同学,也谢谢你们悄悄的进来.

今天开始之前,我想要先为四川**的灾民们以及波士顿马拉松**事件的受害者们默哀.让我们用一分钟时间,为他们祈福.

谢谢你们.

尊敬的各位牛津大学辩论会和牛津大学亚太学生会的同学们,万万想不到会以这样的方式跟你们相聚.没有吉他和二胡,没有夸张的舞台装也没有“火力全开”头.不过上周确实在伦敦的o2体育馆表演过了.

不知道大家有没有去看呢.但是,从各方面来说,这些跟我们今天的话题都有密切的关联.那就是-介绍华流**.

其实无论我喜不喜欢,我都被认为在代表者华流**以及电影.那么今天,我就要来做一次“国情咨文”报告了.但是,这个“国”不是牛津,而是东西方的一个联合体.

我想跟你们聊一聊,我们在将华语**引入西方社会方面所做的事情,无论是成就,还是不足.我都会坦诚布公.同时,我也想借此机会给你们留下这样一个印记：

软实力传播的重要性及其与我们每个人的关系

软实力这个词我相信大家都不陌生.这个概念是由rhodesscholar和牛津校友josephnye提出的.

被定义为一种“吸引”和“说服”的能力.

sha****haroor在最近的一次ted演讲中把它定义为“一种文化让其他文化在听了他动人的故事之后受到影响并爱上这种文化”的能力.

我很喜欢这个定义.

但是我想用贴近你们在做大学生们的方式来解释这个词.在我看来,东方跟西方在某种程度上,像是两个大一刚入学的新生舍友.

两个几乎陌生的人,突然来到同一个屋檐下,其中一个总是怕另一个会跟他抢洗澡的时间,或者在他想要学习的时候大开趴体.

这种关系很可能就变成跟地狱一样了,不是么“我的室友是极品”的故事大家都讲得出来.这些事我都有耳闻.还有我知道牛津这儿的很多同学都一人一间的对吧,但是,在我刚上威廉姆斯学院的时候,我并不幸运,而且人身安全堪忧.

⬣ 王力宏歌词

演唱：王力宏

今早起床了

看镜子里的我

忽然发现我的发型睡得有点kuso

一点点改变，有很大的差别

你我的力量也能改变世界

最近比较烦 最近情绪很down

每天看新闻都会很想大声尖叫

但脏话没用 大家只会嫌凶

我改变自己发现大有不同

新一代的朋友我们好好地加油

大家一起大声地说NA NA NA NA NA

NA NA NA NA NA

我可以改变世界

改变自己 改变隔膜 改变小气

要一直 努力努力 永不放弃

才可以 改变世界 come on改变自己

今早起床了 觉得头有点痛

可能是二氧化碳太多 氧气不够

一点点改变

有很大的差别

你我的热情也能改变世界

只能代表自己

没有政治立场

即使这世界让我看得十分紧张

要调整自己

没想到一点就能画龙点睛

新一代的朋友我们好好地加油

大家一起大声地说NA NA NA NA NA

NA NA NA NA NA

我可以改变世界

改变自己 改变隔膜 改变小气

要一直 努力努力 永不放弃

才可以 改变世界 come on改变自己

我可以改变世界

改变自己 改变隔膜 改变小气

要一直 努力努力 永不放弃

才可以 改变世界 come on 改变自己

⬣ 王力宏歌词

王宏是我们的班长，也是我的好朋友。

那是个下雨天，可是我却没有带伞，放学后只得冒雨回家了。心里真的很烦恼。放学以后我毫无办法的冲进雨中，可是奇迹发生了，我头上的天空突然间雨住了！我好纳闷，明明别的地方的`雨下得正急。我猛回头发现正是班长在我头上撑起一把伞。真的很感激他，可是一个谢字却怎么也说不出口。

还有一天，一进教室同学们就闻到一股难闻的气味，仔细看看，原来是一个同学吐了一地，吃进的东西又吐出来，哎呀那味道——同学们有的捂着鼻子跑到操场上，有的扇着鼻子嘴里说“真臭！”只有王宏小心翼翼的从花圃里收了一些干土来，撒在脏物上然后i认真的扫起来。脏污清扫干净以后，他还倒了一杯水让那位同学漱口。看到这种情况，同学们都觉得班长是个值得敬佩的人。

我们的班长就是这么一个助人为乐的热心人。他纯洁的心灵像金子一样闪闪发光，我要以他为榜样，像他那样做人。

⬣ 王力宏歌词

几十年来，凡在大学读过‘古代汉语’课的，几乎没有不知道‘王力’这个名字的。他主编的《古代汉语》（64）四卷本教材长期以来是最通用的大学教材。其实，王力在语言学几乎所有方面都有‘尝过鲜’，古代的、现代的，音韵、文字、训诂、语音、语法、词汇、词典、修辞、诗歌韵律等等。一般认为他对研究古代语音演变方面的音韵学用力最多。此外，他还是诗人、散文家、评论家、翻译家。用‘著作等身’一词可不是对他的恭维，而是合乎其实的客观描述。

王力1900年生于广西。他从小家贫，小学毕业后失学，后在博白高等小学任国文教员。靠顽强的毅力自学多年，1924年到上海读大学。1926年考进清华大学国学研究院。当时的清华正是文科冠天下的黄金年代，至今流传着国学院四大导师的佳话：赵元任、王国维、梁启超、陈寅恪。第一年招生严格把关，收了三十多个学生，王力是班里唯一写语言学方面论文的。次年王力写就毕业论文《中国古文法》。两位指导导师，一位梁启超、一位赵元任。前者是世俗名声亮，批语是‘推倒千古、卓越一时’。后者是专业水准精，批了他一句‘说有易，说无难’，日后成了王力的座右铭，陪伴他恒久的学术生涯，王力到晚年说他受益了一辈子。为了辨正这句古典学术中的‘至理名言’，朱晓农后来还在《方法：语言学的灵魂》（北京大学出版社，2008）中专门写了一章《说有无》，详细辨析了这句话的适用范围。在科学研究中，对于存在的判断有三种情况，其中一种情况适用这句话，第二种情况是‘说有难’，第三种情况是‘说无易’。所以，赵元任当年教导王力的那句‘说有易，说无难’，是‘名言’没问题，但不是‘至理名言’，而是‘有条件名言’。尽管如此，赵元任的这句话所适用的场合最常见，犯这种错误的可能性最大，所以对于研究的新手来说，赵元任的警句应该刻在写字台上。

1927年，王力赴法国留学，读的竟是实验语音学。他是继刘半农之后中国第二个知名实验语音学家。三年后获巴黎大学文学博士学位。有一则未经证实的趣闻说：当时同在巴黎留学的还有一位和王力在清华国学院同学的姜亮夫，得了个硕士学位回国。人家问他怎么一样留学，王力就得了博士学位呢？姜亮夫答道，王力做的题目洋人都看得懂，所以得了博士学位；他的论文洋人看不懂，所以只得了硕士学位。

1932年王力回国后回清华教书。那年头海龟很吃香，赵元任、刘半农一回来就是大教授，连胡适博士帽还未戴（他的论文需要‘大修通过’）也先当上了正教授。可王力当了两年讲师还未转‘正’。他去问中文系主任朱自清，朱自清只是笑笑，没直接回答。王力扪心自问，终于发现了问题。过去两年，他的教学确实不错，也译了、写了不少东西，但终究没有一部是像样的学术著作。为什么王力两年间没有学术著作出来？原来王力家境清贫，留学法国的费用是借来的。留学时就花了大量时间为国内读者翻译巴尔扎克小说挣稿费。回国两年在教学之余翻译了《莫里哀全集》，又为商务印书馆《万有文库》写了《希腊文学》、《罗马文学》、《伦理学》等文化普及读物。他的专业是语言学，却没有写出一部语言学著作，难怪朱自清不批准他升教授。明白了朱自清的笑容含义之后，王力决定收心发力，一年之内便写出了一部《中国音韵学》专著和《中国文法学初探》、《中国文法中的系词》等有份量的论文。因此，1935年王力再申请时，朱自清又笑了。

王力不仅是语言学上的多面手，而且还是一位多产的翻译家、诗人和散文家。他翻译了莫里哀、左拉、小仲马、都德、纪德、波特莱尔等大作家的小说、剧本、诗歌，共二十余种。同时王力自己还创作了许多诗歌和散文，分别结集为《王力诗论》、《龙虫并雕斋诗集》、《龙虫并雕斋琐语》等。很多年后他凭着这译稿和诗歌散文集当上中国作家协会会员。可那时却因为疏于正业而论文不多，影响了升职。

此后几年内，他狂飙般的发表，包括奠定他音韵学名声的《南北朝诗人用韵考》(1936)、《上古韵母系统研究》(1937)。还有震动语法学界的《中国文法中的系词》（1937）。他还写就了一部音韵学界半个多世纪来一直非常有用的参考书《中国音韵学》（1936），用现代语音学理论来解释传统音韵学的概念，叙述了传统的今音学（中古音系）、古音学（上古音系）和等韵学（宋以后的共时音系描写）的基本内容。此后五十年，王力先生夜以继日，几乎成了写字机器，出版了上千万字的作品。八十年代初，还在上学的朱晓农发表了一篇1,500字的小文章，批评王力先生对于‘日母’音值描写不准确。那是什么年代，王力先生是学界泰斗，朱晓农不过是个在校学生，只是有股‘初学三年，天下去得’的劲儿。所幸王力先生不以为忤，写了篇15,000字的长文作答，同意朱晓农的看法——让这愣头青明白了‘再学三年，寸步难行’的道理。后来朱晓农到了北京，有幸每隔一两个月去拜访王力先生。王力的太太夏夫人曾对他说：你就不用打电话来预约了，下午四五点来就行，正好让他休息一下。平时他一早坐下，给他泡杯茶放在边上，凉了换，换了凉，谁也不敢去打扰他。你来了他高兴，跟你聊天，还里外上下找书，活动活动好。

王力一生著述宏富，出版量达一千万字。又涉猎广博，仅语言学内就几乎包罗方方面面。更兼联想移植能力超群，在这些方方面面几乎都有创新、甚至首创之作。他自己师承‘汉语语言学之父’赵元任（晚年赵氏从美国回来访问，王力拜见时照样恭恭敬敬三鞠躬），可他强调的则是‘如果墨守师说，学术就没有发展了’。正是由于王力具有兼容中学西学（不偏倚也不抵触）、平衡师承创新（不墨守也不妄言）的学风，以坚韧之神勤奋之力，取得了超乎寻常的成就。

⬣ 王力宏歌词

还没好好的感受

雪花绽放的气候

我们一起颤抖

会更明白 什么是温柔

还没跟你牵著手

走过荒芜的沙丘

可能从此以後 学会珍惜

天长和地久

有时候 有时候

我会相信一切有尽头

相聚离开 都有时候

没有什么会永垂不朽

可是我 有时候

宁愿选择留恋不放手

等到风景都看透

也许你会陪我 看细水长流

（music）

还没为你把红豆

熬成缠绵的伤口

然後一起分享

会更明白 相思的哀愁

还没好好的感受

醒著亲吻的温柔

可能在我左右

你才追求 孤独的自由

有时候 有时候

我会相信一切有尽头

相聚离开 都有时候

没有什么会永垂不朽

可是我 有时候

宁愿选择留恋不放手

等到风景都看透

也许你会陪我 看细水长流

（music）

有时候 有时候

我会相信一切有尽头

相聚离开 都有时候

没有什么会永垂不朽

可是我 有时候

宁愿选择留恋不放手

等到风景都看透

也许你会陪我 看细水长流

⬣ 王力宏歌词

I never thought I would be addressing you, the esteemed members of the Oxford Union, without a guitar or an erhu, without my crazy stage hair and costumes, but I did perform in the O2 Arena in London last week. I’m not sure if any of you [x]…

But in many ways that is similar to what I’m talking about today, that is, introducing Chinese pop music. See, I’m actually an ambassador for Chinese pop, whether I like it or not, for both music and movies, and today I’m here to give you a State of Union address. It’s not the Oxford Union, it’s the union of East and West.

I want to frankly and openly and honestly talk about how we’ve done a good job, or how we’ve done a bad job, of bringing Chinese pop to the West. And I also want to impress upon all of you here today the workings of that soft power exchange and how each of us is involved in that exchange.

Soft power, a term I’m sure you’re all familiar with, coined by Rhodes Scholar and Oxford alumnus Joseph Nye, is defined as the ability to attract and persuade. Shashi Tharoor called it, in a recent TEDTalk, “the ability of a culture to tell a compelling story and influence others to fall in love with them”. I like that definition. But I want to put it in collegiate term for you students in the audience. The way I see it, East and West, are kinda like freshmen roommates. You don’t know a lot about each other aside that you’re living with each other in the same room. And each one is scared the other’s gonna steal his shower time or wants to party when the other wants to study. It has the potential to be absolute hell. We all have horror stories of that roommate, we all heard about those stories. I know a lot of students here in Oxford have their own separate bedrooms.

But when I was a freshman at Williams College [crowd interjects] You’re kidding! Woohoo! Well I had a roommate. And he was that roommate. Let’s just call him Frank. So Frank was my roommate and Frank liked nothing more than to smoke weed.

[laughter] And he did it every day. And Frank had a 2-foot long bong under his bed that was constantly being fired up. For those Chinese speakers in the audience, Frank would 火力全开 on that bong. So I guess I was kinda the opposite of Bill Clinton, who tried marijuana but didn’t inhale: I didn’t try marijuana but I did inhale. Every single day. Second hand. And strangely enough, every time I go into our bedroom, I mysteriously end up being late for class. I was like, dude is it already 10 o’clock

So, how many of you have lived with that Frank, or be a FrankHaving a roommate can be a recipe for disaster, but it also can have the potential of being the greatest friendship you’ve ever had. See, Frank, he didn’t make it to second year. And I got two new roommates instead: Stephan and Jason, and these days the three of us are the best of friends. So going back to my analogy, East and West, as roommates, do we want to be Frank, or do we want to be Steph and Jason, and I think in this day and age, in 2013, we should all be striving for the latter. I’m assuming we all agree that this is the goal that we all strive for.

Now, let’s look at where we are in reality, in recent headlines, in the media include, Foreign policy [maybe], China’s victim complex, Why are Chinese leaders so paranoid about the United States or the [AP, the Associated Press], Human rights in China worse than US. Bloomberg says, on the cover of this magazine, Yes, the Chinese army is spying on you [laughter] And it’s such a great one that I want to show you the cover of the magazine [laughter][Ed:check out the photo on the right!] Yes, be very afraid! [laughter]

There’s actually an extremely high amount of negativity and fear and anxiety about China, Sinophobia, that I think is not just misinformed and misleading and ultimately dangerous. Very dangerous. And what about how Westerners are viewed by ChineseWell, we have terms for Westerners. The most common of which are gwailo, in Cantonese which means “the old devil”, laowai, meaning “the old outsider” in Mandarin, ang moh, which means “the red hairy one” in Taiwanese, and the list goes on and on. So are these roommates heading for a best friend relationshipI think we need a little help. And as China rise to power, I think it is more important than ever for us to more discerning about what we believe because after all, I think, that’s the purpose of higher education, and that’s why we are all here, to be able to think for ourselves and make our own decisions.

China’s not just those headlines. The burgeoning economy with unique politics. It is not just the world’s factory or the next big superpower, it’s so much more, a billion people with rich culture, amazing stories, and as a product of both of those cultures, I want to help foster an understanding between the two. And [x] that incredible relationship, because knowing both sides of the coin, I really think that there is a love story waiting to be told, ready to unfold. And I’m only half joking when I said love story because I believe it is the stories that will save us and bring us closer together.

And my thesis statement for today’s talk is that the relationship between East and West needs to be and can be fixed via pop culture, and I’m going to try and back it up. Now, the UN Sec-Gen Ban Ki Moon said, “There are no languages required in the musical world. That is the power of music. That is the power of heart.” Through this promotion of arts we can better understand the culture and civilisation of other people. And in this era of instability and intolerance, we need to promote better understanding through the power of music. The UN Sec-Gen thinks that we need more music, and I think that he is right. Music and arts have always played a key role in my life, in building relationships, replacing what once were ignorance, fear and hatred, with acceptance, friendship and even love.

So I have a strong case for promoting music between cultures because it happened to me early in my life. I was born in Rochester, New York, I barely spoke a word of Chinese. I didn't know the difference between Taiwan or Thailand. [laughter] I was as American as apple pie, until one day on the 3rd grade playground, the inevitable

finally happened: I got teased for being Chinese. Now every kid gets teased or being made fun of in the playground, but this was fundamentally different and I knew right then and there. So this kid let’s call him Brian [x]. He started making fun of me, saying “Chinese, Japanese, dirty knees, look at these!” [laughing] We’re laughing now but it hurt!

I could still remember how I felt, I felt ashamed, I felt embarrassed. But I laughed along with everyone. And I didn't know what else to do. It was like having an out of body experience. As if I could laugh at that Chinese kid on the playground with all the other Americans because I was one of them, rightWrong, on many levels. And I was facing the first and definitely not the last time the harsh reality was that I was minority in Rochester, which in those days had an Asian population of 1%. And I was confused. I wanted to punch Brian. I wanted to hurt him for putting me in that situation but he was faster than me, and he was stronger than me, and he would kick my butt and we both knew that, so I just took it in. I didn't tell anyone or share with anyone these feelings, I just held them in and I let them fester. And those feelings would surface in a strangely therapeutic way for me through music, and it was no coincidence that around at that time I started getting good with the violin, and the guitar and the drums. And I’d soon discovered that by playing music or singing that the other kids would for a brief moment forget about my race or color and accept me and then be able to see me for who I truly am: a human being who is emotional, spiritual, curious about the world, and has a need for love just like everyone else.

And by the sixth grade, guess who asked me if I would the drummer of their bandBrian. And I said yes. And that’s when we together formed an elementary school rock band called… Nirvana. I’m not kidding, I was in a rock band called Nirvana before Kurt Cobain's Nirvana was ever known… So when Nirvana came out, Brian and I were like, hey he’s stealing our name! But really what attracted me to music at this young age was just that, and still is what I love about music, is that it breaks down the walls between us and shows us so quickly the truth that we are much more alike than we

[think].

And then in high school, I learned that music wasn’t just about connecting with others, like Brian and I were connected through music. It was a powerful tool of influence and inspiration. Sam [Nguyen] was my high school janitor. He was an immigrant from Vietnam who barely spoke a word of English. Sam scrubbed the floors and cleaned the bathrooms of our school for twenty years. He never talked to the kids, and the kids never talked to Sam. But one day before the opening night of our school’s annual musical, he walked up to me holding a letter, and I was taken aback and I was thinking, why is Sam the janitor approaching meAnd he gave me this letter that I’ve kept it to this day, it was scrawled in shaky hand written in all capitals and it read, in my all years working as a janitor at Sutherland, you were the first Asian boy to play the lead role. I’m going to bring my 6-year-old daughter to watch you perform tonight because I want her to see that Asians can be inspiring.

And that letter just floored me. I was 15 years old and I was absolutely stunned. That was the first time I realized how music was so important. With Brian, it helped two kids who were initially enemies to become friends, but with Sam, music went beyond the one-on-one. It was an even higher level; it influenced others I didn’t even know, in ways I could never imagine. I can’t tell you how grateful I am to Sam to this day, he really is one of the people who helped me discover my life’s purpose, and I had no idea that something I did could mean more than ever imagined to an immigrant from Vietnam who barely even spoke English. Pop culture, music, and the other methods of storytelling, movies, TV dramas, they are so key, and they do connect us, like me and Brian, and do influence us, and inspire us.

Then let’s take another look at this state of union, the East and West union, with this soft power bias. How is the soft power exchange between these two roommatesAre there songs in English that have become hits in ChinaSure. How about moviesWell, there are so many that China has had to limit the number of Hollywood movies imported into the country so that local films could even have a chance at success. What about [x], well, [inaudible exchange with an audience member], yeah, and movies, well there was Crouching Tiger [Hidden Dragon], that was 13 years ago. Well, I think there’s a bit of an imbalance here. It’s called “soft power deficit”, that is to say the West influences the East more than vice versa. Forgive me for using “East” and “West” kinda loosely, it’s a lot easier to say than “English-speaking… language” or “Asian-speaking… language/Chinese”, I’m making generalisation and I hope you can go with me on this.

And it’s just intrinsically a problem, this imbalance in pop culture influence. And I think so. In any healthy relationship, friendship, marriage, isn’t it important for both sides to make an effort to understand the otherAnd that this exchange needs to have a healthy balanceAnd how do we address thisAs an ambassador for Chinese pop music and movies, I have to ask myself a question: Why does this deficit existIs it because Chinese music just [is lame]. Do you want me to answer that[laughter] Yeah I think I see some of you are like, stop complaining and write a hit song! Psy did it! But there’s truth in that. The argument being that, the content that we’ve created just isn’t as internationally competitive. But why shouldn’t it

Look at Korean pop, look at K-pop for example. Korean is an export-based economy and they are outward looking and they must be outward looking. Chinese pop on the other hand can just stay domestic, tour all over China, stick in territories and comfortably sustain. So when you’re that big and powerful, with over 160 cities in China with a million or more people, you tend to kinda turn inward and be complacent. So this certainly can be made an argument made for Chinese pop not being marketed with international sensibilities, but the other side of the argument I think is more interesting and thought provoking and even more true, is that Western ears aren’t familiar with and therefore don’t really understand how to appreciate

Chinese music. Ouch!

The reason I think that the argument holds water though is because that’s exactly what I went through, so I happen to know a thing or two about learning to appreciate Chinese pop as a Westerner. 'Cos I was 17 years old when I went from being an Asian kid in America to being an American kid in Asia, and the entire paradigm suddenly got flipped on its head. I grew up listening to Beastie Boys, Led Zeppelin, Guns and Roses, and I found myself in Taiwan listening to the radio and thinking, where’s the beatWhere’s the screeching guitar solosHere I am as an American kid in Asia listening to Chinese music for the first time and thinking that "this stuff is lame. I don’t like it!" I thought it was cheesy, production value was low, and the singers couldn’t belt like Axl Rose or Mariah Carey.

But then one day, I went to my first Chinese pop concert, and it was Harlem Yu performing at the Taipei Music Centre, and as he performed, I looked around the audience and I saw their faces and the looks in their eyes and their response to his music, and it was clear to me finally where the problem lay. It wasn’t that the music that was lacking, it was my ability to appreciate it and to hear it in the right way. The crowd, they would sing along and be totally immerse in his music, and I thought that it was significant, that I was missing the point and from now on, I was going to somehow learn how to get it, I was gonna learn how to hear with both ears, and I deconstructed and analysed what it was that made Chinese audiences connect with certain types of melodies, and rhythms, and song structures, and lyrics, and that’s what I’ve been doing for the past almost twenty years, and it took me a long time and I am still learning but at some point, I not only began to be able to appreciate the music but I started being able to contribute to it and create my own fresh spins on the tried-and-true.

And I think this happens to everyone, really, who is on the outside looking in. It always looks strange if you looked at things from your perspective, you’re always go

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ing to think that these people are weirdos, what’s wrong with them, why are they listening to these stuffAnd I’m saying that you can make the effort [x], it can be done, and I’m living proof of that. And as an ambassador of Chinese pop, I’m trying to get people to open up to a sound that they may not feel is palatable on the first listen. So what else can we do to reduce this imbalance in our popular culturesWell, maybe we could talk a lot, tour more outside of ChinaBut seriously, actually I think the tides have already started to change, very slowly, very cautiously, almost calculatedly.

You see more cross-cultural exchange now, more interest in China, definitely a lot of joint ventures, a lot of co-productions in recent years, Iron Man 3, Transformers,

[53][laughter], Resident Evil, really it’s beginning to be kinda like a world pop, and that’s what I’m looking forward to and focusing on these days. There’s J-pop, there’s K-pop, there’s C-pop, and there’s like this W-pop that’s kinda starting to emerge. It’s

⬣ 王力宏歌词

英语翻译

科比：王力宏 我明白 你不甘于只作为一名华人跨界巨星 这让你很难接受 你想知道你该何去何从 只有提更多问题才能解答你的问题 这是什么?
王：一双鞋
科比：不,这是一套体系 他拥有速度和力量 这是什么?
王：鲨鱼
科比：不,这是一套体系 他拥有速度和力量 这是什么?
王：一套体系?
科比：不,这是一个华人跨界巨星 但这个华人巨星在我们结束之后会成为一套体系
科比：不客气
以速度取胜 以力量压倒 KOBE 体系
学习科比体系
@NIKEBasketball

⬣ 王力宏歌词

王菲的歌唱生涯先后获得过香港十大劲歌金曲最受欢迎女歌星、台湾金曲奖最佳国语女演唱人、CCTV-MTV音乐盛典亚洲地区年度最佳女歌手等多个奖项。下面为大家推荐的是王菲经典歌曲《约定》歌词，快来看看吧!

约定

作词：林夕 作曲：陈小霞

演唱：王菲

还记得当天旅馆的门牌

还留住笑着离开的神态

当天整个城市 那样轻快

沿路一起走半里长街

还记得街灯照出一脸黄

还燃亮那份微温的'便当

剪影的你轮廓太好看

凝住眼泪才敢细看

忘掉天地 彷佛也想不起自己

仍未忘相约看漫天黄叶远飞

就算会与你分离 凄绝的戏

要决心忘记我便记不起

明日天地 只恐怕认不出自己

仍未忘跟你约定假如没有死

就算你壮阔胸膛 不敌天气

两鬓斑白都可认得你

还记得当天吉他的和弦

还明白每段旋律的伏线

当天街角流过你声线

沿路旅程如歌褪变

忘掉天地 彷佛也想不起自己

仍未忘相约看漫天黄叶远飞

就算会与你分离 凄绝的戏

要决心忘记我便记不起

明日天地 只恐怕认不出自己

仍未忘跟你约定假如没有死

就算你壮阔胸膛 不敌天气

两鬓斑白都可认得你

就算你壮阔胸膛 不敌天气

两鬓斑白都可认得你

⬣ 王力宏歌词

第16届台湾金曲奖颁奖晚会上，莫文蔚和周杰伦担任“最佳男演唱人”颁奖嘉宾。当他们打开获奖名单，只听莫文蔚脱口念道：“王立……行！”台下的王力宏才听见“王立……”就被一片尖叫声淹没了，他听见歌迷高喊：“力宏！力宏！”坐在周围的人也纷纷起身恭喜王力宏得奖。紧接着，王力宏便快步冲上了领奖台。台上的周杰伦发现不对，便连忙上前拥抱住王力宏，并悄悄在他耳边说：“力宏，得奖的是黄立行。”

原来，颁奖人莫文蔚因过于紧张，误将“黄”读成“王”音，加上“立”及“力”的发音一样，所以一下子将“黄立行”叫成了“王立行”，致使王力宏以为自己得奖。此时，颁奖出现乌龙，上错台的王力宏该是多么狼狈和尴尬呀！

不料，王力宏哈哈一笑，冲台下大声喊道：“得奖的是黄立行，不是王立行！”随即镇静地走下台，请黄立行上台，并带头为黄立行鼓掌，表现得十分大方。王力宏回到座位上后，莫文蔚马上向他道歉说：“对不起，我的华语发音不太好。”

事后，很多艺人和网友都很同情王力宏的遭遇，纷纷为他叫屈，同时狠批莫文蔚华语太烂，口齿不清，王黄不分，害得王力宏当众出糗，要她“练好华语再来颁奖”！其实，报错名的莫文蔚心里也一直很不好受，事后连庆功宴都没出席。

对于上错台事件，王力宏虽觉得很糗，但他不仅没有生气，反而以宽宏的心来安慰莫文蔚别介意。他对莫文蔚说：“别难过，因为我的华语也不是很好，我知道广东话的发音‘王’和‘黄’都是一样的，我不会怪你的！”听了这话，莫文蔚心里好受了许多。王力宏还借媒体对广大网友说：“返回酒店看金曲重播自己出糗的画面时，我笑到肚子痛！我以参加Party的心情来参加金曲，只要逗得大家都开心，就好了！”一番宽宏大度的话，很是让网友们佩服。

当晚，王力宏的妈妈也一直在家中看电视直播、为儿子加油打气，不料却看到儿子出糗的一幕。不过，当妈妈看到他处理的态度后，更是特别赞美儿子处理得“很有风度”！

交际中，我们也难免会碰到因别人出错而使自己出糗难堪的情况，如果我们都能像王力宏这样，以一颗宽宏大度的心去处理，那么，你也一定会表现出良好的交际风度，取得更加有魅力的交际效果。

⬣ 王力宏歌词

《需要人陪》的MV由王力宏自导自演。在MV中，王力宏与女模在床上挑逗，颠覆了以往给人阳光的形象。对于首次在银幕上有这么激情演出，王力宏坦言有点不好意思，尽管与女主角在激情戏时，因不自在而在床上笑场了两三次，但靠着聊天沟通与女模培养出默契，最后才拍出了激情演出。碍于王力宏偶像形象的问题，唱片公司原本希望王力宏能够不要把太露骨的床戏剪入MV中，但身为导演的王力宏觉得因为是剧情需要，极力争取了多次，最后唱片公司为尊重他的创意，将MV修剪成“唯美浪漫版”及“激情完整版”双版本。

⬣ 王力宏歌词

只依稀地残留冬日的暖阳或许是难能的礼物

不是故意而为之而事实就蕴藏在里面

奏鸣曲到底奏的是什么

是耳熟能详的旋律还是日暮的回忆

有时候边写边想这里的曾经

我写下的是真实的自己还是浮华的记忆

两者皆是两者皆非

叶儿又旋似的翻打着摇要晃晃地故作自由落体

只要轻轻地颤动就会改变原来的着落

任凭早已枯涩的

落下的是一片还是一生``````

力宏就是这样一个人用音乐诠释生命

用音符连接每个宏亲的心

他们来自不同的地区或国家

说着不同的语言有着不同的信仰

有这不同的世界

但是在力宏的音乐国度

不分彼此相拥相泣

他们平凡却不平庸

他们在一起一起看这力宏祝福着力宏

或许有时会很幼稚甚至有点可笑

可是每张笑脸都窜成了点点滴滴的回忆

或许有时会矛盾甚至有点争论

可是每句话语都凝结了分分秒秒的祝愿

或许有时会很孤单寂寞甚至彷徨迷惘

可是只要进入这个家

就会有无数的鼓励与支持

当我们彼此发先深爱着同一个人的时候

那喜悦与激动

那纯真与感动

那千万次浮现在我们脑海的画面

OurHome

OurHom

贴子相关图片:

⬣ 王力宏歌词

英语翻译
内容：我想给大家讲关于我和我的偶像王力宏的故事.
王力宏,一个流行歌手,我说不出他哪一点吸引了我,但是,他的一切都让我着迷.第一次听到他的歌,那一首“kiss goodbye”让我听过一遍便疯狂地爱上了.从那后,我开始关注王力宏,听他的歌,我了解到他是一个多才多艺的歌手,他不仅会自己作词作曲,还会玩转各种乐器,我非常欣赏他的才华.他也很热心于公益,是一个很有爱心的人.听说他年底就要结婚了,我希望他能有个幸福的家庭,事业越来越好,我会一直支持他,一直喜欢他的音乐.

I"d like to tell you about me and my idol wang leehom"s , a pop singer, I can"t say he which point attracted me, but his everything fascinates me. …… 放不下!我给你打在邮件!（多少?）【王力宏开讲啦】

⬣ 王力宏歌词

正像这首歌名字所显示的一样：“缘分一道桥”。或许方文山也用这首歌，暗地里感叹这种特殊的机缘吧。这首作品到底怎样?不妨先从歌词看起。既是《长城》的主题曲，那么“秦时明月汉时关/万里长征人未还/但使龙城飞将在/不教胡马度阴山”的开头恰如其分。作为歌曲的开端，歌词引用王昌龄的《出塞》是一处妙笔，据说是王力宏的点子。

有古诗的气韵在，如何能让接下来的歌词匹配经典诗作，这既是摆在方文山面前的命题作文，也是邀请方文山填词的原因所在。“狼烟千里乱葬岗/乱世孤魂无人访/无言苍天笔墨寒/笔刀春秋以血偿”。方文山先把《出塞》给对上了，从状物(狼烟)到写人(孤魂)再到写史(笔刀春秋)，寥寥几个字，方文山就把中国诗词的几个境界全都点到，让人不得不佩服他的文化功底和写词造诣。可以说，整首词最精彩的部分在一开头就交代出来。接下来，方文山在正常的水准内，点题“缘分一道桥”，应是与电影相呼应。可见即便不是最擅长的小桥流水的“中国风”题材，方文山也能写得有情有势，满是“铁马冰河入梦来”的沙场快意。

王力宏的曲要结合歌者的演绎来看。这首歌他邀来谭维维合唱，可谓是找对了人。谭维维曾以《华阴老腔一声喊》，将传统的“秦腔”活灵活现展现出来。因而这首歌其实在作曲上，仍保留了朗朗上口的流行歌曲旋律(尤其是副歌)，但在音域的选择和音调的呈现上，则多了“秦腔”的起伏感，经常一个乐句里囊括大起大落的旋律设置。

而在演绎上，谭维维引领了这首歌的“秦腔”唱法。怒音、喊唱、说唱信手拈来，她带着外人看来“扯着嗓子唱”的“秦腔”表现方式。王力宏也努力往这方面靠，但毕竟男女音域有别，王力宏的假音使用频繁，倒也别添一番风味。二者都是能唱、会唱、擅唱的老将，相互促进激发，很容易就找到了流行与民俗相结合的平衡点。

在王力宏+谭维维+方文山的搭档中，每个人都向这首《缘分一道桥》贡献了自己的一些突破，使这首作品成为一首完成度极高、制作精良的“中国风”作品。而对于歌迷来说，不管是在平常还是12月16日《长城》电影上映时，都希望这样“活久见”的缘分以后能多一些。

⬣ 王力宏歌词

《In Your Eyes》是华语流行男歌手王力宏演唱的歌曲。由王力宏填词、作曲，收录在王力宏2015年1月23日发行的专辑《你的爱。》中。

歌曲歌词

Naturally

从来没有疑问 从来没有怀疑

沉默的脸 在我身边 每一天

这种默契早已超越了语言

相信你的眼睛 让我了解了自己

而我每天晚上在祷告

能够永远在一起

In your eyes

看见付出的一切

In your eyes

你的温柔和体贴

半句话不必说

眼神交集代表了太多

千言万语

In your eyes

爱上了你

Naturally

从来没有疑问 从来没有怀疑

沉默的脸 在我身边 每一天

这种默契早已超越了语言

相信你的.眼睛

让我了解了自己

而我每天晚上在祷告

能够永远在一起

In your eyes

看见付出的一切

In your eyes

你的善良和无邪

半句话不必说

眼神交集代表了太多

千言万语

In your eyes

千言万语

In your eyes

千言万语

In your eyes

你不必说

千言万语

In your eyes

我看得清楚

千言万语

In your eyes

在你的眼中

In your eyes

看见付出的一切

In your eyes

你的温柔和体贴

半句话不必说

眼神交集代表了太多

千言万语

推荐阅读: 王力宏歌词(汇集十九篇) 隐形的翅膀的歌词(汇集十九篇) 接纳力读后感(汇总十九篇) 海贼王名言座右铭(汇集48句)

我们精彩推荐王力宏歌词专题，静候访问专题：王力宏歌词

热门标签: 海贼王名言座右铭 王俊凯的作文 情书歌词 想要歌词 苍白歌词 日记歌词

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